By Michael, working real estate photographer in St. Augustine, FL.

Fix Blown-Out Windows in Real Estate Listing Photos

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Blown-out windows kill listing photos. The room reads dark, the view goes white, and the listing reads as low-effort to a buyer scrolling Zillow. Photographers fix this by shooting a second exposure metered for the outside view, then compositing the two so both the room and the view come out correctly lit. We do the same composite on demand, per photo, with a colorist running the cut. No reshoot. No subscription. One uploaded room photo plus one matching view photo, and the listing photo comes back ready to post.

A blown-out window in a listing photo is a tell. It says the agent shot on a phone, did not take a second exposure for the view, and did not have a colorist composite the two. To a buyer scrolling Zillow at 11 PM, that listing reads as low-effort before they even open the gallery. The fix is well-known to working real estate photographers and unfamiliar to most agents: take two photos of the same scene from the same position, one exposed for the interior, one exposed for the outside view, then composite them so both come out correctly lit. We run that composite on demand, per photo, at $0.79 per image. No subscription. No minimum batch. Upload the interior photo plus the matching view photo, the pipeline aligns them, a colorist makes the cut, and the file comes back with the room reading correctly lit and the window showing what the buyer is actually paying for: the lawn, the water, the canopy, whatever the view is. Working photographers in St. Augustine, FL do this on every interior shoot where the windows matter. Most agents who shoot their own listings do not. Blown-out windows are the most fixable issue in phone-shot listing photos, and the per-image fee is well under the value a better window restores to the listing. The whole turnaround sits under five minutes for typical batches. Larger batches scale roughly linearly. There is no contract. You upload, we composite, you get the corrected file back.

Pricing

$0.79 per image. 10 free with a trial. No subscription.

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FAQ

Do I need a tripod for the second exposure?
Not strictly required. A steady hand or a phone gimbal works for most rooms because the composite step aligns the two exposures before the colorist makes the cut. A tripod helps when the view has fine detail like distant trees or a city skyline, where small misalignments would show in the final composite.
What if I only have one photo of the room and not the second exposure?
Twilight conversion handles night exteriors and some daytime sky-only blowouts from a single source, but window view restoration specifically needs both shots. The mechanical reason is simple: there is nothing to composite in if the view was never captured. Either reshoot with a second exposure or use twilight conversion for what it can do alone.
How does this compare to brightening the photo in Lightroom?
Lightroom can recover a stop or two of overexposed highlights but cannot reconstruct a totally white window. The pixels there hold no view information. The two-exposure composite captures the view as a separate file, then merges it. That is structurally different from sharpening or recovering highlights on a single source.